América Latina Magazine
All Editorial
2025 in Review
Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial
MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art
Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Confronting the Absence of Latin America in Conversations on African Diasporic Art
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Fundação Bienal de São Paulo announces that Diane Lima will be the curator of the Brazilian Pavilion at the 61st International Art Exhibition – La Biennale di Venezia, in 2026. The curatorial project, titled Comigo ninguém pode, will feature artists Rosana Paulino and Adriana Varejão.
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal
Esperanza de León: Curating Through Community Knowledge
2nd Bienal das Amazônias
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Denis Maksaens: Glitch and Representation in the Caribbean
Between New York and Loíza, Marta Moreno Vega and Olga Chapman-Rivera share guiding principles inspired by Yoruba ancestry for building vital cultural institutions rooted in memory, resistance, and celebration of the African diaspora in the Americas.
Flooded Memories
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Roots: Beginning, Middle, and Beginning
Fundação Bienal de São Paulo announces list of participants for its 36th edition
The Spiritual Technologies of Jamaican Maroons
Electric Dub Station: The Return of Tomorrow
Flowing Affections: Laryssa Machada’s Sensitive Geographies
Jesús Hilário-Reyes: Dissolving Notions of Group and Individual
Andrea Chung: Dematerialization to Subvert Commodification
Veronica Ryan: Unruly Objects
The Forgotten Asian Histories of Latin America
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Exhibition in Hong Kong brings together contemporary artists from Latin America, Europe, mainland China, Taiwan and Hong Kong.
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
MASP inaugura novo edifício
MASF: An Art Museum that Connects Territory and Communities
LGBTQIA+ Diversity Stories
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
It Comes from the Head: A Straw Heritage
This open call invites New Orleans-based Black writers to participate in a three-day C& x NAM Critical Writing Workshop led by tutors Nohora Arrieta Fernández, and Sherae Rimpsey. The workshop will take place at Tulane University from March 27 - 29, 2025 in New Orleans.
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
A Call to History
C&AL’s Highlights of 2024 You Might Have Missed
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]
A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
38º Panorama da Arte Brasileira: Mil graus
Tessa Mars Links the Migratory Experience to Haitian Spirituality
With the idea of "Estalo" ("Snap") as its central concept, the exhibition is scheduled to open on March 27, 2025, and will be spread across 18 different spaces in Porto Alegre.
Puerto Caribe
The Art of Translating and Vice Versa
Navigating Scarcity, Race and Religion in Cuban Photography
Bienal das Amazônias anuncia curadora de sua segunda edição
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Orgullo Nacional
Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez
Afro-Indigenous Memory in the Work of Maria Lira Marques
THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress
C& Artists’ Edition #5 Zohra Opoku
Amanda Carneiro tells us about historical events, such as Festac '77 in Lagos, which encouraged transformative dialogue that imagined a radically new world. The Brazilian curator also highlights the importance of artistic productions that operate outside dominant systems, sharing exciting moments she witnessed in Venice.
MUNCH Award: Rosana Paulino
Poetry: Ruth Ige
Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris
Mãos: 35 anos da Mão Afro-Brasileira
Sofía Salazar Rosales: A Poetic Journey Through the Material
Centro Cultural BanReservas and Universidad Autónoma de Santo Domingo x C& Critical Writing Workshop
Art and Identity in the Caribbean
Carnival, Body, and Territory
Johan Samboni: Rewriting Urban Histories
Introduction to the employee manual
Ismael David and the Foundations of Exu
